I tell people I only have two rules for writing.
First, do what works. Second, don’t be boring in the final draft.
Aside from having the advantage of being vague and
therefore virtually impossible to refute, these rules cover just about anything
you need to develop as a writer. You just have to figure out how to define them
in relation to your writing process.
I’ll discuss the second rule at another time, like
maybe when I’ve finally mastered it. In the meantime, here’s what I’m talking
about when I say ‘do what works.’
When you start out as a writer, you’ll get a lot of
advice. Maybe you’ll buy writing magazines at the bookstore, or have the
opportunity to talk to more experienced authors. You’re going to hear lots of
suggestions, many of which will be presented as rules to write by, but here’s
the thing: many of them will not work. Some of them will be utterly
wrong-headed, offered by well meaning people who do not know enough about the
business, or who work in a different genre, or who like to be considered An
Authority.
So here’s sub-rule #1 for ‘do what works’: Beware of
anyone who presents their method as the One True Way of becoming an author. The
truth is that there isn't any One True Way. In fact, when you’ve talked to a bunch
of writers, you’ll find that every single one does things a little differently.
And that’s okay. We’re making stories and poems. We’re making art, not Buicks
and swimming pools.
Talk to lots of people. It may take a while, but
you’ll learn whose advice you can trust, which authors have work styles most
similar to yours. Even then, you won’t be able to do everything exactly as they
do and have the same results, but you’ll have some ideas of where to start.
Of course, it would be reassuring to have a handbook
that would give you precise directions on which steps to follow to be a success.
Instead, you have sub-rule #2: Find out what you need to do your work
well. I have friends who make intricate outlines before they start chapter 1,
and others (like myself) can’t plan more than a few scenes ahead without losing
the thread of the story. I envy my plotting friends, but it’s not a method that
works for me.
I have friends who participate regularly in
NaNoWriMo to draft novels, and others who find so much concentrated creativity
overwhelming. I’ve met writers who churn out thousands of words per day, every
day, in rough draft material, and others who save their writing for a few hours
on the weekend. Some folks never suffer writer’s block, others struggle with it
regularly. Buying in to the ‘write EVERY DAY’ rule can be a crippling source of
guilt. Recently Daniel Jose Older wrote a terrific essay on that subject, and
its main idea is an important one.
Sub-rule #3 is related to that: Be patient with
yourself. You’re learning. No matter how long you’ve been writing, you’re
learning, and that’s a good thing (a good thing, but sometimes also
uncomfortable and awkward and frustrating). Yet if you persevere, sooner or
later you’ll see the growth you seek. One of my track coaches in high school
used to talk about plateaus and quantum leaps. His thought was that, with any
worthwhile endeavor, you work for long periods of time without seeing much improvement.
Those plateaus can be hard to endure, especially when you know you need to
reach that next level to get to where you want to go in your career. But as my
coach said, if you continue to strive, sooner or later you’ll have a quantum
leap in ability, that moment when you suddenly understand some aspect of the
craft that eluded you before. And that moment is pure magic.
On a related note, here’s sub-rule #4: Be willing to
experiment. Be flexible. You might think that there will be a point where you’ll
know everything you need, and it’ll just be a matter of plugging those words
into the computer day after day. (Spoiler alert: ahahahaha NO.) Many authors
will tell you each book they write is a new challenge, and each one imposes new
demands on them. And after all, wouldn’t you get bored if writing turned out to
be just the same thing over and over?
If there’s a secret to writing, it’s this: We all
get frustrated. We all have those moments where it doesn’t seem we can go on.
Last week, I emailed a friend and said, “That’s it. I’m done. I can’t bring
myself to sit down and write any more. It’s pointless.” Today I started a new
story. Well, okay, it’s a new draft of an old story that wasn’t working, but my
point is that those difficult moments will come. Ride them out. Sub-rule #5 is
simply, Keep going. Don’t give up. Step back if you need to, write only for
yourself, scribble a few words a day on the back of a grocery store receipt.
But don’t quit.
The world needs your voice.
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